SASA Gallery, located in Adelaide’s West End, is a student-focused space that exhibits the work of UniSA Creative graduating students and researchers, along-side academic engagement programs and workshops.
It provides exhibition, research and integrated learning experiences for UniSA undergraduate and HDR candidates.
SASA Gallery welcomes all visitors, including school and group bookings.
Using the medium of cardboard as its starting point, come and see the innovative, playful and experimental works of UniSA contemporary art students, staff and supporters and what cardboard can be transformed into when in their hands.
Open 10am—4pm, Tuesday—Fridays
and 11am—3pm Sundays.
Lines of Force presents a creative enquiry into the relationship between scale, the materiality of steel, and notions of place.
Hall’s sculptural objects, with their open and wavering forms, refer to the construction of steel, its material resistance and the transformational forces of making. Each component embodies the potential energy that allows the objects to span and project into space.
Christian Hall’s exhibition examines forces, energies and effects that emanate from things and to which things are subject—invisible forces of interaction that undermine the notion of separate entities in the world.
Image: Christian Hall, Shutter #1 (detail), 2021, steel, 270 x 270 x 280mm. Photo: Sia Duff
Tricia Ross' interdisciplinary research addresses the perilous state of the planet in the age of the Anthropocene. Bringing together printmaking, archive materials, photography, and painting, Earth matters confronts environmental impacts while imploring us to act on biocentric justice.
Weaving legal thinking and creative making, Ross draws our attention to the ongoing struggle to enact climate policies and proposes that in the face of irreversible climate change, ecological concerns require consideration about laws that do not currently exist.
Hope is a future where adverse climate impacts are mitigated.
So near, that we can touch the spaces presents Leslie Matthews practice-based investigation of the gestural line and how it informs our bodily knowledge of spatial perception and materiality. Matthews’ multi-disciplinary practice traverses, jewellery and works on paper. Drawing on diverse materials and processes including sterling silver, pigmented porcelain, vitreous enamels, etching, watercolour and gouache So near, that we can touch the spaces makes connections and offers reflections on the impermanence of life, the pathos of things and the intense emotions objects can evoke within us.
Image: Leslie Matthews, brooches, 2022, porcelain, sterling silver oxidized